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Contents © 2020 Golan Levin and Collaborators
Golan Levin and Collaborators
Projects
Sort by : Author | Date | Name | Type
- Installations
- Ghost Pole Propagator II
- Augmented Hand Series
- Eyeshine
- Re:FACE, Anchorage Version
- Merce's Isosurface
- Double-Taker (Snout)
- Opto-Isolator
- Eyecode
- Interstitial Fragment Processor
- Reface [Portrait Sequencer]
- Ghost Pole Propagator
- Footfalls
- Scrapple (Installation)
- The Manual Input Workstation
- Interactive Bar Tables
- Messa di Voce (Installation)
- Hidden Worlds of Noise and Voice
- Re:MARK
- Introspection Machine
- Audiovisual Environment Suite
- Dakadaka
- Rouen Revisited
- Performances
- Ursonography
- Scrapple (Performance)
- The Manual Input Sessions
- Messa di Voce (Performance)
- Dialtones (A Telesymphony)
- Scribble
- Net.Artworks
- Terrapattern
- Moon Drawings
- Free Universal Construction Kit
- QR Codes for Digital Nomads
- The Dumpster
- Axis
- JJ (Empathic Network Visualization)
- The Secret Lives of Numbers
- Alphabet Synthesis Machine
- Obzok
- Sketches
- Stria
- Dendron
- Slamps
- Banded Clock
- Floccus
- Stripe
- Meshy
- Directrix
- Yellowtail
- Streamer
- Blebs
- Self-Adherence (for Written Images)
- Poster design for Maeda lecture
- The Role of Relative Velocity
- Segmentation and Symptom
- Floccular Portraits
- Curatorial
- Mobile Art && Code
- ART AND CODE
- Code, Form, Space
- IEEE InfoVis 2008 Art Exhibition
- Solo exhibition at bitforms gallery
- IEEE InfoVis 2007 Art Exhibition
- Signal Operators
- Commercial / Industrial
- Motion Traces [A1 Corridor]
- Civic Exchange Prototype
- Amore Pacific Display
- Interactive Logographs
- Interval Projects
- Media Streams Icons
- Miscellaneous
- NeoLucida
- Rectified Flowers
- GML Experiments
- New Year Cards
- Admitulator
- Glharf (or Glarf)
- Finger Spies
The Manual Input Sessions
2004 | Tmema (Golan Levin & Zachary Lieberman)
The Manual Input Sessions (2004: Golan Levin and Zachary Lieberman) is a series of audiovisual vignettes which probe the expressive possibilities of hand gestures and finger movements. Our concert is performed on a combination of custom interactive software, analog overhead projectors and digital computer video projectors. The analog and digital projectors are aligned such that their projections overlap, resulting in an unusual quality of hybridized, dynamic light. During the performance, a computer vision system analyses the silhouettes of the performers' hands as they move across the glass tops of the overhead projectors. The hand gestures are then analysed by our custom software. In response, the software generates synthetic graphics and sounds that are tightly coupled to the forms and movements of the performers actions. The synthetic responses are co-projected over the organic, analog shadows, resulting in an almost magical form of augmented-reality shadow play.
The Manual Input Sessions exists as both a performance and an interactive installation. More information about the installation version, The Manual Input Workstation, is available here and at the project's official web site.
The following YouTube and Vimeo video shows a one-minute excerpt of Tmema performing the Manual Input Sessions at the RomaEuropa Festival, Rome, on 28 November 2004.
Manual Input Sessions by Tmema (at RomaEuropa) from Tmema on Vimeo.
An impromptu performance of The Manual Input Sessions at Eyeo Festival 2012:
Additional Resources
Complete information about the Manual Input Sessions can be found at its official web site.
Press photographs of Manual Input Sessions performances can be found in the following Tmema photosets at Flickr:
- Playvision, World Financial Center, New York City, 5/2006.
- Age of Simulation conference, Linz, Austria, 1/2006.
- Tokyo Digital Arts Festival, Tokyo, Japan, 12/2005.
- Ultrasound Festival, Huddersfield, England, 11/2005.
- Ars Electronica Festival, Linz, Austria, 9/2004.
Video of the Manual Input Sessions can be viewed online at YouTube.
VideoRomaEuropa Festival, Rome, 28 November 2004
[720x480 H.264 .mov; right-click to download or view on YouTube]