Sort by : Author | Date | Name | Type

< project thumbnails

• Installations
• Ghost Pole Propagator II
• Augmented Hand Series
• Eyeshine
• Re:FACE, Anchorage Version
• Merce's Isosurface
• Double-Taker (Snout)
• Opto-Isolator
• Eyecode
• Interstitial Fragment Processor
• Reface [Portrait Sequencer]
• Ghost Pole Propagator
• Footfalls
• Scrapple (Installation)
• The Manual Input Workstation
• Interactive Bar Tables
• Messa di Voce (Installation)
• Hidden Worlds of Noise and Voice
• Re:MARK
• Introspection Machine
• Audiovisual Environment Suite
• Dakadaka
• Rouen Revisited
•  
• Performances
• Ursonography
• Scrapple (Performance)
• The Manual Input Sessions
• Messa di Voce (Performance)
• Dialtones (A Telesymphony)
• Scribble
•  
• Net.Artworks
• Terrapattern
• Moon Drawings
• Free Universal Construction Kit
• QR Codes for Digital Nomads
• The Dumpster
• Axis
• JJ (Empathic Network Visualization)
• The Secret Lives of Numbers
• Alphabet Synthesis Machine
• Obzok
•  
• Sketches
• Stria
• Dendron
• Slamps
• Banded Clock
• Floccus
• Stripe
• Meshy
• Directrix
• Yellowtail
• Streamer
• Blebs
•  
• Print
• Self-Adherence (for Written Images)
• Poster design for Maeda lecture
• The Role of Relative Velocity
• Segmentation and Symptom
• Floccular Portraits
•  
• Curatorial
• Mobile Art && Code
• ART AND CODE
• Code, Form, Space
• IEEE InfoVis 2008 Art Exhibition
• Solo exhibition at bitforms gallery
• IEEE InfoVis 2007 Art Exhibition
• Signal Operators
•  
• Commercial / Industrial
• Motion Traces [A1 Corridor]
• Civic Exchange Prototype
• Amore Pacific Display
• Interactive Logographs
• Interval Projects
• Media Streams Icons
•  
• Miscellaneous
• NeoLucida
• Rectified Flowers
• GML Experiments
• New Year Cards
• Admitulator
• Glharf (or Glarf)
• Finger Spies
•  

Axis

2002 | Golan Levin

Axis (2002: Golan Levin) is a whimsical interactive data visualization, commissioned by the Whitney Museum for its Artport website. A dozen artists were invited by curator Christiane Paul to respond to a specific assignment in a programming language of their choice. The assignment was to 'connect and move three points in space,' which obviously could be interpreted in a literal or abstract way. The code itself was not to exceed 8 kilobytes, which equals a fairly short text document. My contribution, Axis, is an interactive applet driven by a simple database of arcane sociopolitical factoids. The project responds to Paul's challenge by allowing its users to connect three countries into a conceptual "Axis" defined by their common properties in this database. The Axis project can be experienced here.

"An Axis can't have more than three countries," explained Iraqi President Saddam Hussein. "This is not my rule, it's tradition. In World War II you had Germany, Italy, and Japan in the evil Axis. So you can only have three. And a secret handshake. Ours is wicked cool."[1]

President Bush's recent assertion that North Korea, Iraq and Iran form an "Axis of Evil"[2] was more than a calculated political act — it was also an imaginatively formal, geometric one, which had the effect of erecting a monumental, virtual, globe-spanning triangle.

Axis is an online tool intended to broaden opportunities for similar kinds of Axis creation. It allows its participant to connect any three points in space [countries] into a new Axis of his or her own design. With the help of multidimensional statistical metrics culled from international public databases[3], the commonalities amongst the user's choices are revealed. In this manner, Axis presents an inversion of Bush's praxis, obtaining lexico-political meaning from the formal act of spatial selection.

[1] Marlatt, Andrew. "Angered by Snubbing, Libya, China, Syria Form 'Axis of Just as Evil'". SatireWire, 1/30/2002.
[2] "In Speech, Bush Calls Iraq, Iran and North Korea 'Axis of Evil'". State of the Union Address, 1/29/2002.

Additional Resources

The interactive Axis applet can be experienced here at the Whitney Artport.

Images (click to enlarge)