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Contents © 2008 Golan Levin and Collaborators
Golan Levin and Collaborators
Projects
Sort by : Author | Date | Name | Type
- Solo
- 07 2008. Double-Taker (Snout)
- 05 2008. Poster design for Maeda lecture
- 01 2008. Solo exhibition at bitforms gallery
- 12 2007. New Year Cards
- 11 2007. Opto-Isolator
- 11 2007. Eyecode
- 11 2007. Interstitial Fragment Processor
- 05 2007. Ghost Pole Propagator
- 09 2005. Scrapple (Installation)
- 01 2004. Civic Exchange Prototype
- 09 2002. Axis
- 03 2002. Stria
- 10 2001. Dendron
- 02 2001. The Role of Relative Velocity
- 01 2001. Obzok
- 08 2000. Segmentation and Symptom
- 03 2000. Audiovisual Environment Suite
- 01 2000. Yellowtail
- 09 1999. Banded Clock
- 02 1999. Floccular Portraits
- 01 1999. Floccus
- 12 1998. Stripe
- 09 1998. Meshy
- 04 1998. Directrix
- 01 1997. Blebs
- Tmema (Golan Levin & Zachary Lieberman)
- 11 2007. Reface [Portrait Sequencer]
- 08 2006. Footfalls
- 08 2004. Motion Traces [A1 Corridor]
- 05 2004. The Manual Input Workstation
- 05 2004. The Manual Input Sessions
- 02 2004. Interactive Bar Tables
- 12 2003. Messa di Voce (Installation)
- 09 2003. Messa di Voce (Performance)
- 07 2003. Amore Pacific Display
- 09 2002. Hidden Worlds of Noise and Voice
- 09 2002. Re:MARK
- Other Collaborations
- 10 2007. IEEE Infovis 2007 Art Exhibition
- 04 2006. Signal Operators
- 02 2006. The Dumpster
- 09 2005. Ursonography
- 09 2005. Scrapple (Performance)
- 03 2004. Finger Spies
- 05 2002. JJ (Empathic Network Visualization)
- 02 2002. The Secret Lives of Numbers
- 09 2001. Dialtones (A Telesymphony)
- 05 2001. Alphabet Synthesis Machine
- 03 2001. Interactive Logographs
- 09 2000. Scribble
- 07 2000. Introspection Machine
- 12 1999. Slamps
- 09 1999. Dakadaka
- 01 1998. Interval Projects
- 01 1997. Streamer
- 08 1996. Rouen Revisited
- 05 1994. Media Streams Icons
Re:MARK
2002 | Tmema (Golan Levin & Zachary Lieberman) with Ars Electronica Futurelab
Re:MARK (2002: Golan Levin and Zachary Lieberman, with production support from the Ars Electronica Futurelab) presents the fiction that speech casts visible shadows. With the help of voice analysis technology, motion sensing, and real-time computer animation, this interactive installation for two participants converts speech into whimsically animated letters and shapes that appear to float upwards from the shadow of the speaker's head. Visitors can also manipulate these forms directly, using the shadow of their own body. When a phoneme is recognized by the software with sufficient confidence, it is spelled out on the installation's display. If the visitor's utterance is not recognized by the software, an abstract shape is generated instead, whose form is tightly coupled to the speaker's vocal timbre. The result is a playful illusion in which visitors become actors in a shadow world of reactive cartoon language.
Additional Resources
High-resolution photos of Re:MARK are available in the following Tmema photosets at Flickr:
- Exhibition at Ars Electronica Center, Linz, 9/2002 - 9/2003.
- Exhibition at American Museum of the Moving Image, New York, 5/2004.