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Contents © 2010 Golan Levin and Collaborators
Golan Levin and Collaborators
Projects
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- 12 2009. New Year Cards
- 04 2009. Merce's Isosurface
- 03 2009. ART AND CODE
- 02 2009. Code, Form, Space
- 10 2008. IEEE InfoVis 2008 Art Exhibition
- 07 2008. Double-Taker (Snout)
- 05 2008. Poster design for Maeda lecture
- 01 2008. Solo exhibition at bitforms gallery
- 11 2007. Opto-Isolator
- 11 2007. Eyecode
- 11 2007. Interstitial Fragment Processor
- 11 2007. Reface [Portrait Sequencer]
- 10 2007. IEEE InfoVis 2007 Art Exhibition
- 05 2007. Ghost Pole Propagator
- 08 2006. Footfalls
- 04 2006. Signal Operators
- 02 2006. The Dumpster
- 09 2005. Ursonography
- 09 2005. Scrapple (Performance)
- 09 2005. Scrapple (Installation)
- 08 2004. Motion Traces [A1 Corridor]
- 05 2004. The Manual Input Workstation
- 05 2004. The Manual Input Sessions
- 03 2004. Finger Spies
- 02 2004. Interactive Bar Tables
- 01 2004. Civic Exchange Prototype
- 12 2003. Messa di Voce (Installation)
- 09 2003. Messa di Voce (Performance)
- 07 2003. Amore Pacific Display
- 09 2002. Axis
- 09 2002. Hidden Worlds of Noise and Voice
- 09 2002. Re:MARK
- 05 2002. JJ (Empathic Network Visualization)
- 03 2002. Stria
- 02 2002. The Secret Lives of Numbers
- 10 2001. Dendron
- 09 2001. Dialtones (A Telesymphony)
- 05 2001. Alphabet Synthesis Machine
- 03 2001. Interactive Logographs
- 02 2001. The Role of Relative Velocity
- 01 2001. Obzok
- 09 2000. Scribble
- 08 2000. Segmentation and Symptom
- 07 2000. Introspection Machine
- 03 2000. Audiovisual Environment Suite
- 01 2000. Yellowtail
- 12 1999. Slamps
- 09 1999. Banded Clock
- 09 1999. Dakadaka
- 02 1999. Floccular Portraits
- 01 1999. Floccus
- 12 1998. Stripe
- 09 1998. Meshy
- 04 1998. Directrix
- 01 1998. Interval Projects
- 01 1997. Blebs
- 01 1997. Streamer
- 08 1996. Rouen Revisited
- 05 1994. Media Streams Icons
Reface [Portrait Sequencer]
2007 | Tmema (Golan Levin & Zachary Lieberman)
Reface [Portrait Sequencer] (2007: Golan Levin and Zachary Lieberman) is a surreal video mash-up that composes endless combinations of its visitors' faces. Based on the Victorian "Exquisite Corpse" parlor game, the Reface installation records and dynamically remixes brief video slices of its viewers' mouths, eyes and brows.
Reface uses face-tracking techniques to allow automatic alignment and segmentation of its participants' faces. As a result, visitors to the project can move around freely in front of the display without worrying about lining up their face for the system's camera. The video clips recorded by the project are "edited" by the participants' own eye blinks. Blinking also triggers the display to advance to the next set of face combinations.
Through interactions with an image wholly constructed from its own history of being viewed, Reface makes possible a new form of inventive play with one's own appearance and identity. The resulting kinetic portraiture blends the personalities and genetic traits of its visitors to create a "generative group portrait" of the people in the project's locale.
The following one-minute video shows the Reface installation at Bitforms gallery, NYC, December 2007.
Reface [Portrait Sequencer] by Tmema from Tmema on Vimeo (also available at YouTube).
Additional Resources
High-resolution photos of Reface [Portrait Sequencer] can be found in this Tmema Flickr photoset.
![Reface [Portrait Sequencer]](../../storage/images/projects/reface.jpg)