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Contents © 2008 Golan Levin and Collaborators
Golan Levin and Collaborators
Projects
Sort by : Author | Date | Name | Type
- Solo
- 01 2008. Solo exhibition at bitforms gallery
- 12 2007. New Year Cards
- 11 2007. Opto-Isolator
- 11 2007. Eyecode
- 11 2007. Interstitial Fragment Processor
- 05 2007. Ghost Pole Propagator
- 09 2005. Scrapple (Installation)
- 01 2004. Civic Exchange Prototype
- 09 2002. Axis
- 03 2002. Stria
- 10 2001. Dendron
- 02 2001. The Role of Relative Velocity
- 01 2001. Obzok
- 08 2000. Segmentation and Symptom
- 03 2000. Audiovisual Environment Suite
- 01 2000. Yellowtail
- 09 1999. Banded Clock
- 02 1999. Floccular Portraits
- 01 1999. Floccus
- 12 1998. Stripe
- 09 1998. Meshy
- 04 1998. Directrix
- 01 1997. Blebs
- Tmema (Golan Levin & Zachary Lieberman)
- 11 2007. Reface [Portrait Sequencer]
- 08 2006. Footfalls
- 08 2004. Motion Traces [A1 Corridor]
- 05 2004. The Manual Input Workstation
- 05 2004. The Manual Input Sessions
- 02 2004. Interactive Bar Tables
- 12 2003. Messa di Voce (Installation)
- 09 2003. Messa di Voce (Performance)
- 07 2003. Amore Pacific Display
- 09 2002. Hidden Worlds of Noise and Voice
- 09 2002. Re:MARK
- Other Collaborations
- 10 2007. IEEE Infovis 2007 Art Exhibition
- 04 2006. Signal Operators
- 02 2006. The Dumpster
- 09 2005. Ursonography
- 09 2005. Scrapple (Performance)
- 03 2004. Finger Spies
- 05 2002. JJ (Empathic Network Visualization)
- 02 2002. The Secret Lives of Numbers
- 09 2001. Dialtones (A Telesymphony)
- 05 2001. Alphabet Synthesis Machine
- 03 2001. Interactive Logographs
- 09 2000. Scribble
- 07 2000. Introspection Machine
- 12 1999. Slamps
- 09 1999. Dakadaka
- 01 1998. Interval Projects
- 01 1997. Streamer
- 08 1996. Rouen Revisited
- 05 1994. Media Streams Icons
The Manual Input Sessions
2004 | Tmema (Golan Levin & Zachary Lieberman)
The Manual Input Sessions (2004: Golan Levin and Zachary Lieberman) is a series of audiovisual vignettes which probe the expressive possibilities of hand gestures and finger movements. Our concert is performed on a combination of custom interactive software, analog overhead projectors and digital computer video projectors. The analog and digital projectors are aligned such that their projections overlap, resulting in an unusual quality of hybridized, dynamic light. During the performance, a computer vision system analyses the silhouettes of the performers' hands as they move across the glass tops of the overhead projectors. The hand gestures are then analysed by our custom software. In response, the software generates synthetic graphics and sounds that are tightly coupled to the forms and movements of the performers’ actions. The synthetic responses are co-projected over the organic, analog shadows, resulting in an almost magical form of augmented-reality shadow play.
The Manual Input Sessions exists as both a performance and an interactive installation. More information about the installation version, The Manual Input Workstation, is available here and at the project's official web site.
Additional Resources
Complete information about the Manual Input Sessions can be found at its official web site.
Press photographs of Manual Input Sessions performances can be found in the following Tmema photosets at Flickr:
- Playvision, World Financial Center, New York City, 5/2006.
- Age of Simulation conference, Linz, Austria, 1/2006.
- Tokyo Digital Arts Festival, Tokyo, Japan, 12/2005.
- Ultrasound Festival, Huddersfield, England, 11/2005.
- Ars Electronica Festival, Linz, Austria, 9/2004.
Video of the Manual Input Sessions can be viewed online at YouTube.