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Contents © 2012 Golan Levin and Collaborators
Golan Levin and Collaborators
Projects
Sort by : Author | Date | Name | Type
- 01 2011. Eyeshine
- 12 2010. Re:FACE, Anchorage Version
- 07 2010. Self-Adherence (for Written Images)
- 06 2010. Rectified Flowers
- 01 2010. GML Experiments
- 12 2009. New Year Cards
- 11 2009. Mobile Art && Code
- 04 2009. Merce's Isosurface
- 03 2009. ART AND CODE
- 02 2009. Code, Form, Space
- 01 2009. Admitulator
- 10 2008. IEEE InfoVis 2008 Art Exhibition
- 07 2008. Double-Taker (Snout)
- 05 2008. Poster design for Maeda lecture
- 01 2008. Solo exhibition at bitforms gallery
- 11 2007. Opto-Isolator
- 11 2007. Eyecode
- 11 2007. Interstitial Fragment Processor
- 11 2007. Reface [Portrait Sequencer]
- 10 2007. IEEE InfoVis 2007 Art Exhibition
- 05 2007. Ghost Pole Propagator
- 08 2006. Footfalls
- 04 2006. Signal Operators
- 02 2006. The Dumpster
- 09 2005. Ursonography
- 09 2005. Scrapple (Performance)
- 09 2005. Scrapple (Installation)
- 10 2004. Glharf (or Glarf)
- 08 2004. Motion Traces [A1 Corridor]
- 05 2004. The Manual Input Workstation
- 05 2004. The Manual Input Sessions
- 03 2004. Finger Spies
- 02 2004. Interactive Bar Tables
- 01 2004. Civic Exchange Prototype
- 12 2003. Messa di Voce (Installation)
- 09 2003. Messa di Voce (Performance)
- 07 2003. Amore Pacific Display
- 09 2002. Axis
- 09 2002. Re:MARK
- 09 2002. Hidden Worlds of Noise and Voice
- 05 2002. JJ (Empathic Network Visualization)
- 03 2002. Stria
- 02 2002. The Secret Lives of Numbers
- 10 2001. Dendron
- 09 2001. Dialtones (A Telesymphony)
- 05 2001. Alphabet Synthesis Machine
- 03 2001. Interactive Logographs
- 02 2001. The Role of Relative Velocity
- 01 2001. Obzok
- 09 2000. Scribble
- 08 2000. Segmentation and Symptom
- 07 2000. Introspection Machine
- 03 2000. Audiovisual Environment Suite
- 12 1999. Slamps
- 09 1999. Dakadaka
- 09 1999. Banded Clock
- 02 1999. Floccular Portraits
- 01 1999. Floccus
- 12 1998. Stripe
- 09 1998. Meshy
- 04 1998. Directrix
- 01 1998. Yellowtail
- 01 1998. Interval Projects
- 01 1997. Blebs
- 01 1997. Streamer
- 08 1996. Rouen Revisited
- 05 1994. Media Streams Icons
Ghost Pole Propagator
2007 | Golan Levin

Ghost Pole Propagator (2007: Golan Levin) is an interactive installation originally developed for projection in the 13th century Belsay Hall Castle, in Newcastle, England as part of the Picture House exhibition. The exhibition catalogue states: "Levin's new interactive installation presents a phantom transcription of visitors to the Belsay Castle, recording and replaying highly abstracted 'skeletons' of the artwork's own observers. Projected on the walls of the castle's medieval kitchen, the quiet and otherworldly animations suggest the bustle of past ghosts, or ancient petroglyphs."
Ghost Pole Propagator captures and replays the 'skeletons' of passersby in its environment, creating a layered and dynamic tapestry that reflects the history and activity of a locale. Presenting a universal communication of presence, attitude and gesture, the stick-figures this artwork generates are compact and expressive means of representing the human form. The format of the work is variable; in other presentations, the project serves as a kind of 'interpretive monitoring station' for nearby pedestrian traffic.
Project Statement
Stick-figures, or skeletons, are an extremely compact yet exceptionally expressive means of representing the human form. The graphic simplicity of such figures belies their emotional force. By eliminating unnecessary details and reducing visual elements to their absolute essence, stick figures accomplish a powerful, immediately apprehensible and possibly universal communication of human presence, attitude and gesture. Looking around, we can observe such stick figures in the ancient petroglyphs of the British Isles; in children’s drawings and cartoons; and in the pioneering motion studies of the early photographic naturalists, Etienne Marey and Eadweard Muybridge.
Ghost Pole Propagator, an interactive software artwork temporarily installed in Belsay Castle, Newcastle, captures and replays the "skeletons" of passersby in its environment, creating a layered and dynamic tapestry which reflects the history and activity of its locale. The animated figures produced by the work preserve all of the gestural qualities of the visitor’s movements and gait, while simultaneously abstracting the visitor’s appearance into a proto-symbolic, timeless, petroglyphic “character”.
At Belsay Castle, visitors see their own stick-figures displayed in this way, moving in real time; they also see the animated skeletons of previous visitors, whose movements had been recorded during prior visits. The result is a surface populated by the animating traces and ghosts of the visitors to the Castle. The timeless quality of these human shapes evokes the centuries-long history of the site’s residents and guests.
Additional Information and Resources

Acknowledgements: Ghost Pole Propagator was made possible by a commission from English Heritage and Dott07, and was presented in the Picture House exhibition at Belsay Hall curated by Judith King and Juha Huuskonen. Many thanks to Juha, Judith, Chris O'Shea, Zoe Bottrell, Sarah Hudson, Tom Cullen and John Smith for their support and assistance in commissioning and realizing the project.
More images of Ghost Pole Propagator are available in this Flickr photoset.