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Contents © 2008 Golan Levin and Collaborators
Golan Levin and Collaborators
Projects
Sort by : Author | Date | Name | Type
- Solo
- 01 2008. Solo exhibition at bitforms gallery
- 12 2007. New Year Cards
- 11 2007. Opto-Isolator
- 11 2007. Eyecode
- 11 2007. Interstitial Fragment Processor
- 05 2007. Ghost Pole Propagator
- 09 2005. Scrapple (Installation)
- 01 2004. Civic Exchange Prototype
- 09 2002. Axis
- 03 2002. Stria
- 10 2001. Dendron
- 02 2001. The Role of Relative Velocity
- 01 2001. Obzok
- 08 2000. Segmentation and Symptom
- 03 2000. Audiovisual Environment Suite
- 01 2000. Yellowtail
- 09 1999. Banded Clock
- 02 1999. Floccular Portraits
- 01 1999. Floccus
- 12 1998. Stripe
- 09 1998. Meshy
- 04 1998. Directrix
- 01 1997. Blebs
- Tmema (Golan Levin & Zachary Lieberman)
- 11 2007. Reface [Portrait Sequencer]
- 08 2006. Footfalls
- 08 2004. Motion Traces [A1 Corridor]
- 05 2004. The Manual Input Workstation
- 05 2004. The Manual Input Sessions
- 02 2004. Interactive Bar Tables
- 12 2003. Messa di Voce (Installation)
- 09 2003. Messa di Voce (Performance)
- 07 2003. Amore Pacific Display
- 09 2002. Hidden Worlds of Noise and Voice
- 09 2002. Re:MARK
- Other Collaborations
- 10 2007. IEEE Infovis 2007 Art Exhibition
- 04 2006. Signal Operators
- 02 2006. The Dumpster
- 09 2005. Ursonography
- 09 2005. Scrapple (Performance)
- 03 2004. Finger Spies
- 05 2002. JJ (Empathic Network Visualization)
- 02 2002. The Secret Lives of Numbers
- 09 2001. Dialtones (A Telesymphony)
- 05 2001. Alphabet Synthesis Machine
- 03 2001. Interactive Logographs
- 09 2000. Scribble
- 07 2000. Introspection Machine
- 12 1999. Slamps
- 09 1999. Dakadaka
- 01 1998. Interval Projects
- 01 1997. Streamer
- 08 1996. Rouen Revisited
- 05 1994. Media Streams Icons
Floccus
1999 | Golan Levin
Floccus (Golan Levin, 1999). In 1999 I began to study the means by which dynamic graphical lines could convey a plausible sense of physicality. After some experimentation I developed a model for representing the underlying structure of "physical" lines, in which a finite-element, mass-spring-damper simulation is composed of virtual particles connected by alternating linear and torsional springs. The model has the effect of simulating the tensile properties of thin physical filaments, such as hairs or twigs. I used this physical model to create a series of reactive drawing systems, including Floccus.
In Floccus (the name is a Latin term for "hairball"), ductile filaments drawn by the user swirl around a shifting, imaginary drain centered at the user's cursor. These filaments — torn by conflicting impulses to simultaneously preserve their length, yet also move towards or away from the cursor — find an equilibrium by forming gnarly, tangled masses.
Resources
Floccus can be experienced in this interactive Java applet.
(Some related interactive applets on this web site can be found here:
Meshy, Dendron, Obzok, Stripe, Stria, Streamer, Banded Clock, Dakadaka.)
A full-screen, sonified version of Floccus is one of the seven modules in the Audiovisual Environment Suite, and is available for purchase from Software Art Space.
More high-resolution images of Floccus are available in this Flickr photoset.
A modified version of Floccus was used to create Floccular Portraits.
